Affiliation:
1. From the Orthopedic Services, St. Luke's Episcopal Hospital, and Baylor College of Medicine, Texas Medical Center, Houston, Texas.
Abstract
Ballet dancers frequently stand on the tips of their toes in the en pointe and demi-pointe positions, resulting in compression of the posterior structures of the ankle during repeated plantar flexion of the foot, producing the talar compression syndrome. This mechanism may result in posterior block or impingement of an os trigonum or Stieda's process. When the dancer attempts to force the foot into plantar flexion, the os trigonum or the Stieda's process may be impinged between the calcaneus and the posterior edge of the tibia. Pain and tenderness are localized at the posterolateral aspect of the ankle behind the peroneal tendons. In nondancing members of the population, these conditions are usually asymptomatic. It is the requirement of the classical dance for a well-pointed foot that produces symptoms. We are reporting up to 7 years follow-up of six professional ballet dancers in whom we removed the os trigonum for symptomatic talar compression syndrome, caused by the trauma of the en pointe position of toe dancing. Two patients had bilateral operations. All six patients returned to professional dancing within a few months and remained asymptomatic. The anatomy of this condition is reviewed, as well as the diagnosis and treatment.
Reference21 articles.
1. THE FUNCTIONAL DISTURBANCES CAUSED BY THE INCONSTANT BONES AND SESAMOIDS OF THE FOOT
2. 5. Gray H.: Gray's Anatomy of the Human Body ed. 35, Warwick R., Williams P. L. (eds.), Philadelphia, W. B. Saunders, 1973, pp. 382, 461.
Cited by
41 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献