Effects of altered sensory feedback on piano performance errors: An exploratory study

Author:

Nunes-Silva Marília1ORCID,Salomé Gleidiane1,Gonçalves Fernando Lopes1,Braun Janzen Thenille2ORCID,Zendel Benjamin Rich3

Affiliation:

1. State University of Minas Gerais, Brazil

2. Federal University of ABC, Brazil

3. Memorial University of Newfoundland, Canada

Abstract

Music performance is an intensive sensorimotor task that involves the generation of mental representations of musical information that are actively accessed, maintained, and manipulated according to the demands of the performance. Internal representations and external information interact through feedback and feedforward processes that adjust the musician’s motor behavior to optimize a musical performance. This study aimed to examine the relationship between altered sensory feedback and performance errors. Seventeen experienced pianists aged between 33 and 54 years performed Hanon Exercise N°1 from memory under four different conditions: (1) normal (normal sensory feedback); (2) closed fallboard (altered haptic and auditory feedback); (3) blindfolded (altered visual feedback); and (4) combined (blindfolded and closed fallboard; altered haptic, auditory, and visual feedback). Performance errors were quantified based on a video analysis of the performances. Results indicated that compared with normal performance, participants made significantly more note errors in the blindfolded condition and more bar-adding errors per trial in the closed fallboard condition. The comparison between the normal condition and the three altered sensory feedback conditions revealed the impact of altering sensory feedback in musical performance. These findings are discussed in the context of music learning.

Funder

State University of Minas Gerais

Fundação de Amparo à Pesquisa do Estado de Minas Gerais

Publisher

SAGE Publications

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