Affiliation:
1. Department of Humanities, M.S. Ramaiah Institute of Technology, Bangalore, Karnataka, India.
Abstract
Indian films, both mainstream Bollywood (Hindi cinema) and regional films have captured issues related to caste, class and gender disparities, and have enabled directors/producers to experiment with techniques so as to challenge stereotypical representations. Tamil cinema in this context has gone through a sea change in its representation of the subaltern class. From being silent and passive sufferers, the characters on screen now raise to speak for their community and assert their identity. This article explores the representation of Dalits on visual platform and how contemporary filmmakers seek to challenge and demystify the established narratives/canon. The article further analyses the recent Tamil cinema titled Karnan (April 2021) which challenges dominant ideologies that perpetuates discrimination, objectification, exclusion and silence to sustain its power. Using the Mahabharata mythical characters and employing cinematic techniques, the film resists and subverts dominant perception which aims to silence the other.
Subject
Social Sciences (miscellaneous),Sociology and Political Science,Anthropology,Cultural Studies
Cited by
4 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献