Awareness Versus Production: Probing Students’ Antecedent Genre Knowledge

Author:

Artemeva Natasha1,Fox Janna2

Affiliation:

1. Carleton University, Ottawa, Canada,

2. Carleton University, Ottawa, Canada

Abstract

This article explores the role of students’ prior, or antecedent, genre knowledge in relation to their developing disciplinary genre competence by drawing on an illustrative example of an engineering genre-competence assessment. The initial outcomes of this diagnostic assessment suggest that students’ ability to successfully identify and characterize rhetorical and textual features of a genre does not guarantee their successful writing performance in the genre. Although previous active participation in genre production (writing) seems to have a defining influence on students’ ability to write in the genre, such participation appears to be a necessary but insufficient precondition for genre-competence development. The authors discuss the usefulness of probing student antecedent genre knowledge early in communication courses as a potential source for macrolevel curriculum decisions and microlevel pedagogical adjustments in course design, and they propose directions for future research.

Publisher

SAGE Publications

Subject

General Business, Management and Accounting,Communication,Business and International Management

Reference96 articles.

1. The writing consultant as cultural interpreter: Bridging cultural perspectives on the genre of the periodic engineering report

2. Artemeva, N. ( 2000). Revising a research article: Dialogic negotiation. In P. Dias & A. Paré (Eds.), Transitions: Writing in academic and workplace settings (pp. 183-197). Cresskill, NJ: Hampton.

3. A Time to Speak, a Time to Act

4. Toward a Unified Social Theory of Genre Learning

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