Disassembling the actant: A valediction to actor-network theory

Abstract

On 9 October 2022, Bruno Latour died. His death was widely and deeply mourned. He is a great loss to sociology. This article takes Latour’s death as cue to make an initial posthumous assessment of his work. It argues that, with Latour’s death, sociology is at a cross-roads which in some ways reprises the Tarde-Durkheim debate. When Tarde died in 1904, the Durkheimian school became dominant. After Latour’s death, this article considers whether that history might now been reversed with a subsidence of the Durkheimian tradition. The article argues it should not. While recognising Latour’s ingenious creativity and his massive contribution to sociology, the article rejects Actor-Network Theory (ANT). Despite the many strengths of ANT and the extraordinary influence it has exerted, the article dissects the actant to claim that ANT is a flawed project. It argues in order to avoid accusations of determinism, the status of the actant was always ambiguous in ANT. As a result, although Latour consistently denied the power of human social groups, his analyses eventually relied upon surreptitious appeals to them. The neo-Durkheimian currents which are evident in contemporary sociology should re-assert themselves.