Between Return and Resistance: Rap as a Means of Access to Engagement and Empowerment Among French Hmong Youth

Abstract

This article aims to discuss how diasporic Hmong youth express nostalgia and resistance through rap music, transmit collective memory, encourage young people to question social and political structures, and engage in public life. Based on fieldwork in France, this article explores how French Hmong rap artists convert their nostalgia, experience and in-betweenness into the sound space. This article also demonstrates how French Hmong rap artists construct an alternative discourse in which young people are able to show solidarity. As a result, this article provides some insights into navigating the popular culture of an underrepresented community and its belonging, nostalgia and resistance.