The influence of melodic and rhythmic redundancies on recognition memory for unknown musical themes

Author:

Nardo Davide12,Brunetti Riccardo12,Cupellini Enrico3,Belardinelli Marta Olivetti12

Affiliation:

1. Department of Psychology, “Sapienza” University of Rome, Italy

2. ECONA – Interuniversity Centre for Research on Cognitive Processing in Natural and Artificial Systems, Rome, Italy

3. Department of Mathematics, University of Turin, Italy

Abstract

The aim of this study was to assess the influence of melodic and rhythmic redundancies, and their interaction with tonality, on recognition memory for music. Forty-four non-musicians performed a recognition task with unknown musical material. Stimuli created for experimental purposes were made up of 48 short melodies (half tonal and half non-tonal) and were characterized by the presence of three kinds of musical redundancy: melodic only, rhythmic only, or both melodicrhythmic. In a first phase, subjects listened to a study list of 24 stimuli. After 20 minutes, a test list containing 48 stimuli (24 previously heard and 24 novel ones) was administered, and subjects were asked to indicate for each item whether the melody: was recognized from the study list (R response); evoked a sense of familiarity (K response); or was not recognized at all (X response). Major results showed that tonality influences semantic, but not episodic memory, and that the two systems are differentially affected by the type of redundancy (especially melodic-rhythmic, which has a large effect on episodic memory but is ineffective for semantic memory). Moreover, tonality and the type of redundancy systematically interact only in the episodic memory system. Thus, evidence supports disassociation of the two memory systems. Furthermore, R and X responses showed a symmetry in their trend, suggesting a role for X responses as counterparts of the R responses within the episodic memory system. Melodic-rhythmic redundancy demonstrated the most prominent effects on the episodic system, whereas the assessment comparing melodic versus rhythmic only as the pre-eminent type of redundancy was more ambiguous. Finally, non-tonal stimuli were found to be more sensitive than tonal stimuli, whereby they showed differential effectiveness regarding redundancy type, a result which suggests that they could prove serviceable in future studies concerning recognition memory for music.

Publisher

SAGE Publications

Subject

Music,Experimental and Cognitive Psychology

Cited by 4 articles. 订阅此论文施引文献 订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献

1. A Neural Network Model of the Recognition of the Familiarity of Number Sequences;Neuroscience and Behavioral Physiology;2020-12-03

2. Нейросетевая модель распознавания известности числовых последовательностей;Журнал высшей нервной деятельности им И П Павлова;2020

3. The impact of cross-modal correspondences on working memory performance.;Journal of Experimental Psychology: Human Perception and Performance;2017-04

4. Structure and Interpretation of Rhythm in Music;The Psychology of Music;2013

同舟云学术

1.学者识别学者识别

2.学术分析学术分析

3.人才评估人才评估

"同舟云学术"是以全球学者为主线,采集、加工和组织学术论文而形成的新型学术文献查询和分析系统,可以对全球学者进行文献检索和人才价值评估。用户可以通过关注某些学科领域的顶尖人物而持续追踪该领域的学科进展和研究前沿。经过近期的数据扩容,当前同舟云学术共收录了国内外主流学术期刊6万余种,收集的期刊论文及会议论文总量共计约1.5亿篇,并以每天添加12000余篇中外论文的速度递增。我们也可以为用户提供个性化、定制化的学者数据。欢迎来电咨询!咨询电话:010-8811{复制后删除}0370

www.globalauthorid.com

TOP

Copyright © 2019-2024 北京同舟云网络信息技术有限公司
京公网安备11010802033243号  京ICP备18003416号-3