Recordings as learning and practising resources for performance: Exploring attitudes and behaviours of music students and professionals

Author:

Volioti Georgia1,Williamon Aaron2

Affiliation:

1. University of Surrey, UK

2. Centre for Performance Science, Royal College of Music, UK

Abstract

This article examines how musicians use recordings as learning resources in preparing for performance. While previous research has partially acknowledged the contribution of external factors to self-regulated learning, the specific impact of recordings on performers’ approaches to practising remains largely uncharted. A survey was designed to assess the use and importance of recordings on musicians’ listening and practising behaviours, their preferences when choosing recordings, and the type of influence exerted by recordings over self-regulatory processes. Respondents ( N = 204) completed an online survey, and the data were analysed according to level of expertise: advanced music students ( n = 147) and professional musicians ( n = 57). The results show clear differences between students and professionals in the frequency of use and level of reliance on recordings, with students consistently exhibiting a greater preference for these resources. Students were more likely to listen to recordings and, consequently, change aspects of their interpretations in the early stages of practising. Additionally, students were influenced by other people’s recommendations, especially their teachers’, and by other performers’ reputations when choosing recordings. The need to develop a distinct style had a positive influence on students’ practising and performing habits. The study shows that listening to recordings forms an integral part of self-regulated learning activities and contributes to musicians’ development by increasing musical knowledge and stylistic awareness.

Publisher

SAGE Publications

Subject

Music,Experimental and Cognitive Psychology

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