Goa Hippy Tribe: Theorising Documentary Content on a Social Network Site

Author:

Nash Kate

Abstract

In the 1970s, a wave of young Western hippies descended on the beaches of Goa in India. Forty years later, some of them reconnected on the social network site Facebook and planned a reunion. This event, and the Goan hippy community then and now, are the subjects of a documentary called Goa Hippy Tribe, produced by Australian documentary maker Darius Devas. Funded by Screen Australia, SBS and Screen New South Wales, Goa Hippy Tribe is the first Australian documentary to be produced for the social network site Facebook. In this article, I consider how documentary in a social network context might be theorised. While the concept of the database narrative is most often invoked to explain user interactivity in online documentary, social networks such as Facebook invite different forms of interaction, and therefore raise distinct theoretical questions. In particular, Goa Hippy Tribe demonstrates the potential for the audience to engage creatively and communally with documentary.

Publisher

SAGE Publications

Subject

Communication,Cultural Studies

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1. From film to Web 2.0: transmedia as a distribution model for political documentary;Studies in Documentary Film;2022-09-23

2. Social network documentary and its aesthetic metamorphosis: reflections from a practice-led research;Visual Communication;2021-01-10

3. Interactive Web Documentaries: A Case Study of Audience Reception and User Engagement on iOtok;International Journal of Human–Computer Interaction;2020-05-18

4. Facts, Interactivity and Videotape;Proceedings of the 2018 ACM International Conference on Interactive Experiences for TV and Online Video;2018-06-25

5. Civic participation and interactive documentaries: a contribution to the open government model;El Profesional de la Información;2016-07-29

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