Torrens Title: property, race and (infra)structures of feeling in the settler colony

Author:

Brooks Andrew,Lorange Astrid

Abstract

This article argues that property law can be understood as a key infrastructure of settler-colonial sovereignty. Rather than a simple importation of British law, the frontier mentality of the colonial outpost allowed for the implementation of a new legal framework for the allocation and registration of land. Taking the example of Torrens Title allows for an analysis of the ‘structures of feeling’ that are generated by, and that naturalise in turn, the possessive claim to property. We consider how the history of property as fungible commodity is entangled with the history of racialisation, and how Torrens Title shows the material and affective dimensions of settler law and of the long struggle to resist its illegal claim to sovereignty. We analyse the 2018 video essay Drawing Rights by Rachel O’Reilly, considering the troubled relationship between white possession and the unbroken sovereignty it denies, yet which remains a constant threat to the settler state. Her work articulates what Ruth Wilson Gilmore calls ‘infrastructures of feeling’, which, we argue, describes the way anti-colonial consciousness can materialise against structures and attachments of settlement.

Publisher

SAGE Publications

Subject

General Social Sciences,Sociology and Political Science,Social Sciences (miscellaneous),Archeology,Anthropology,Archeology,Cultural Studies

Reference63 articles.

1. R. Williams, Marxism and Literature (Oxford: Oxford University Press, 1977).

2. N. Hussain, The Jurisprudence of Emergency: colonialism and the rule of law (Ann Arbor: The University of Michigan Press, 2006), p. 3.

3. Colonial Lives of Property

4. R. W. Gilmore, ‘Abolition geography and the problem of innocence’, in Gaye Theresa Johnson and Alex Lubin, eds, Futures of Black Radicalism (London: Verso, 2016), p. 237.

5. Drawing Rights is part of The Gas Imaginary, a multi-form project by artist/writer Rachel O’Reilly that has used poetry, drawing, moving images and lecture formats to explain the legal, aesthetic and technical conceits of ‘unconventional’ gas, and links between racialising property law and current forms of ecocide, in ongoing dialogue with Gooreng Gooreng elders and women environmental activists. Rachel O’Reilly with Pa.LaC.E (Valle Medina and Benjamin Reynolds), Drawing Rights, 2018, HD Video, Editing: Sebastian Bodirsky; Sound: Tyler Friedman; Advisory: Roxley Foley, Sarah Keenan. Courtesy of the artist. Project website: https://gasimaginary.net/Index.

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