Brotherhood and Hip-Hop: The Case of Chinese Hip-Hop Club Triple H

Author:

Chen Xi1,Tong Yazhou2,Zhang Jinsheng1ORCID

Affiliation:

1. College of Foreign Studies, and School of Journalism and Communication, Jinan University, Guangzhou, China

2. Marxism College, Shanghai Normal University, Shanghai, China

Abstract

After hip-hop increased in popularity in Chinese entertainment programs, different perceptions of hip-hop in China reflected a clash of various thinking patterns among audiences, with hip-hop club Triple H on the cusp of controversy. Taking Triple H as a case study, this paper aims to explore how emotional attachments influence the development of Chinese hip-hop clubs in post-subculture. The findings indicated that the brotherhood rooted in hip-hop culture has been reshaped by the hybridity of Chinese hip-hop featuring fraternity mixed with sensitivity, loyalty filled with controversy, and heroism heightened by diversity. This paper argues that the recurring theme of “brotherhood” contributing to the charisma of Chinese hip-hop clubs cannot be partially interpreted as either gangster love or an underground bond, which gives rise to a new approach to the notion of authenticity, with hip-hop interpreted as a distinctive lifestyle.

Publisher

SAGE Publications

Subject

General Social Sciences,General Arts and Humanities

Reference15 articles.

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