Affiliation:
1. LINKÖPING UNIVERSITY, SWEDEN,
Abstract
In this article, a young man's narratives of violence are analysed, and a culturally shared storyline is identified as the basis of these narratives. It is argued that the stories are organized so as to construct a preferred self-presentation. One strategy to achieve this is to establish boundaries for what type of violence to use, whom to fight, where and for what reasons. I also argue that the narratives are structured to avoid being categorized as either victim or perpetrator, although both categories are drawn upon. Issues of masculinity are made relevant through categorization of the characters in the narrative, and positions are made available. Different masculine categories such as the hero/villain/non-man become relevant in the analysis. Different gendered positions are used in negotiating a masculine identity around narratives of and through telling about violence.
Subject
Linguistics and Language,Sociology and Political Science,Language and Linguistics,Communication
Reference51 articles.
1. Masculinities, Performativity, and Subversion
2. American Film Violence
3. Burcar, V. (2005) Gestaltningar av offererfarenheter. Samtal med unga män som utsatts för brott. Lund: Dissertations in Sociology 68.
Cited by
58 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献
1. Bibliography;Utopia of the Uniform;2024-03-15
2. Notes;Utopia of the Uniform;2024-03-15
3. Epilogue;Utopia of the Uniform;2024-03-15
4. Afterlives;Utopia of the Uniform;2024-03-15
5. Form and Life;Utopia of the Uniform;2024-03-15