Audience Response to COVID Monologues: Research-Based Theater on the Societal Impact of COVID-19

Author:

Hurley Emily A.123ORCID,Tharmarajah Saraniya4ORCID,de Mahy Genevieve5,Rassp Jess6,Salvatore Joe7ORCID,Jones Jonathan P.7ORCID,Harvey Steven A.8ORCID

Affiliation:

1. Division of Health Services and Outcomes Research, Children’s Mercy Kansas City, Kansas City, MO, USA

2. Department of Pediatrics, University of Missouri-Kansas City School of Medicine, Kansas City, MO, USA

3. Department of Population Health, University of Kansas Medical Center, Kansas City, KS, USA

4. Department of Health, Behavior and Society, Johns Hopkins Bloomberg School of Public Health, Baltimore, MD, USA

5. Single Carrot Theatre, Baltimore, MD, USA

6. Independent Theater Artist, Baltimore, MD, USA

7. Department of Music and Performing Arts Professions, New York University, New York City, NY, USA

8. Department of International Health, Johns Hopkins Bloomberg School of Public Health, Baltimore, MD, USA

Abstract

Purpose Research-based theater uses drama to communicate research findings to audiences beyond those that typically read peer-reviewed journals. We applied research-based theater to translate qualitative research findings on the impact of the COVID-19 pandemic on different segments of U.S. society. Approach Theater artists and public health researchers collaborated to create a collection of eight monologues from systematically sourced, peer-reviewed publications. Following three virtual performances in Spring, 2021, audience members were invited to complete a survey. Setting/Participants Audience survey respondents (n = 120) were mostly U.S.-based and were diverse in terms of age, race/ethnicity, gender, profession, and experience attending theater. Method We summarized closed-ended responses and explored patterns by demographic characteristics. We synthesized themes of open-ended responses with inductive coding. Results Audience members somewhat/strongly agreed that COVID Monologues increased their knowledge (79.4%), represented the reality of the U.S. COVID-19 epidemic (95.7%), and offered new perspectives on what people had been experiencing (87.5%). Most also agreed research-based theater is an effective means of understanding health research (93.5%) and can promote community resilience in times of public health crisis (83.2%). Mann-Whitney U tests suggested less positive reactions from demographics that were not well-represented in monologue characters (cisgender men, Hispanics). Qualitative comments suggested audience members valued monologues that offered self-reflection and validation of their own COVID-19 experiences through relatable characters as well as those that offered insight into the experiences of people different from themselves. Conclusion This work adds to evidence that research-based theater can help build knowledge and emotional insight around a public health issue. As these elements are foundational to pro-social, preventative health behaviors, research-based theater may have a useful role in promoting collective response to public health crises like COVID-19. Our method of systematically-sourcing research for theater-based dissemination could be extended to target more specific audiences with actionable behaviors.

Funder

U.S. Department of State

Children's Mercy Research Institute

Publisher

SAGE Publications

Subject

Public Health, Environmental and Occupational Health,Health (social science)

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