Religion as Repertoire

Abstract

This article presents an ethnographic examination of a range of religious practices at the Buddhist Temple of Universal Rescue (Guangji si) in Beijing. Temple-goers engaged in both ritual practices in the temple’s inner courtyard and moralistic conversations in the outer courtyard draw on recycled fragments of China’s many “pasts” to form cultural repertoires. These repertoires provide the temple-goers with a cultural toolkit to enter into meaningful projects of self- and identity-making in an environment of rapid social change. Participants in different religious activities at the temple both add to and mobilize different elements in their repertoires as their life circumstances change. The example of the temple shows that, in the popular Chinese social arena, various past stages of China’s history, including phases in its modernization process, have neither been abandoned nor superseded but remain as cultural resources to be drawn from as needed.