Affiliation:
1. Massey University, New Zealand
Abstract
This article explores how the prevalence of deadpan and ironic modes of humour undermines the possibility of clear and stable interpretation in online contexts. Analysing key examples of online deadpan humour through the lens of literary and critical models of irony, I argue that the decontextualisation of deadpan humour in online spaces accentuates the deadpan comic mode’s tendency towards ambiguity in ways that hypothetically destabilise any claim to textual certainty. Drawing on the work of Pierre Bourdieu, I propose the ‘comic disposition’ as a means to theorise how audiences learn to process the comic ambiguity of online deadpan humour, and suggest how the ‘comic disposition’ can be understood to inform observed tendencies towards distrust and confusion in digital culture.
Subject
Sociology and Political Science,Communication
Cited by
3 articles.
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