Affiliation:
1. University of Derby, United Kingdom
Abstract
This article examines the performances that funeral directors undertake in protecting the public from the disorder of death and in creating the “magic” of a funeral. Goffman's (1959) concepts of back-stage/front-stage performances are used to illustrate the tension that arises as funeral workers switch between these two elements of their professional role. Based on fieldwork study in a number of funeral establishments, we present examples of the stress that they may experience in their management of the boundary between life and death.
Subject
Sociology and Political Science,Health(social science)
Cited by
6 articles.
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