1. 1) Babbage, Frances. (2011). Re-visioning Myth: Modern and Contemporary Drama by Women, Manchester and New York, Manchester University Press.
2. 2) Féral, Josette. (1984). “Writing and Displacement: Women in Theatre,” trans. Barbara Kerslake, Modern Drama27, no.4 (December): 549-563.
3. 3) Foley, Helene. (2004). “Bad Women: Gender Politics in Late Twentieth-Century Performance and Revision of Greek Tragedy,” Dionysus Since 69: Greek Tragedy at the Dawn of the Third Millennium, Eds. Edith Hall, Fiona Macintosh, & Amanda Wrigley, Oxford, Oxford University Press: 77-111.
4. 4) Gómez-Peña, Guillermo. (1994). “The Multicultural Paradigm: An Open Letter to the National Arts Community,” Negotiating Performance, Eds. Diana Taylor and Juan Villagas, Durham, Duke University Press: 16-29.
5. 5) Hall, Edith. (2004). “Introduction: Why Greek Tragedy in the Late Twentieth Century?” Dionysus Since 69: Greek Tragedy at the Dawn of the Third Millennium: 2-46.