“There Is No Cloud”

Author:

Lager Vestberg Nina

Abstract

If the smartphone typifies the post-photographic interface, then the data center epitomizes post-photographic infrastructure. Through critical engagement with cloud computing and its ecological impact on natural environments, this article problematizes the metaphorical conception of ecology in media studies, and argues for a materialist approach to post-photography that takes account of the natural resources and material infrastructures enabling contemporary image practices.

Publisher

Consortium Erudit

Subject

General Engineering

Reference36 articles.

1. Alger, Douglas. 2012. The Art of the Data Center. A Look Inside the World’s Most Innovative and Compelling Computing Environments. Upper Saddle River, NJ : Prentice Hall, 360 p.

2. Allan, Kenneth R. 2014. « Marshall McLuhan and the Counterenvironment. ‘The Medium is the Massage’ ». Art Journal, vol. 73, no 4, p. 22-45.

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4. [s. a.]. 2016. « Pionen — our famous nuclear bunker in the city of Stockholm ». Bahnhof.net.

5. Biba, Erin. 2011. « Underground Caverns Keep Things Cold, Safe… and Secret ». Wired, 31 janvier.

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