Trinidad, contexte historique et impact sur la musique : de l’interdiction des tambours à la naissance du steelpan
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Published:2021
Issue:188
Volume:
Page:133
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ISSN:0583-8266
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Container-title:Bulletin de la Société d'Histoire de la Guadeloupe
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language:fr
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Short-container-title:Bulletin de la Société d'Histoire de la Guadeloupe
Publisher
Consortium Erudit
Reference8 articles.
1. Aho, William R., Steel Band Music in Trinidad and Tobago: The Creation of a People’s Music, Latin American Music Review / Revista de Música Latinoamericana, Vol. 8, No. 1(Spring – Summer, 1987), pp. 26-58. 2. Borde, Percival, The Sounds of Trinidad; The Development of the Steel-Drum Bands The Black Perspective in Music, Vol. 1, No. 1 (Spring, 1973), pp. 45-49. 3. Brown, Ernest D., Carnival, Calypso, and Steelband in Trinidad, The Black Perspective in Music, Vol. 18, No. 1/2 (1990), pp. 81-100. 4. Campbell, Susan, Carnival, Calypso, and Class Struggle in Nineteenth Century Trinidad, History Workshop, No. 26 (Winter, 1988), pp. 1-27. 5. Riggio, Milla C., Introduction: Resistance and Identity: Carnival in Trinidad and Tobago, Vol. 42, No. 3, Trinidad and Tobago Carnival (Autumn, 1998), pp. 6-23.
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