"We Shall Be Better Canadians by Being Conscious Jews": Multiculturalism and the Construction of Canadian Identity in the Toronto Jewish Folk Choir

Author:

Wolters-Fredlund Benita

Abstract

Using the texts from concert programme notes, this paper describes the growing Canadian identity of Toronto Jewish Folk Choir during and after World War II. During this period the choir used rhetoric similar to what we would today call multiculturalism to argue for their place in Canadian culture. The choir's claims to Canadian identity are juxtaposed with colonialist and assimilationist attitudes toward culture at the time, demonstrating that through musical performance and discourse, the choir members were able to construct a positive Canadian identity for themselves despite their position as an ethnic minority outside the political mainstream.

Publisher

Consortium Erudit

Subject

General Medicine

Reference18 articles.

1. Abella, Irving and Harold Troper. 2000. None is Too Many: Canada and the Jews of Europe 1933-1948. Toronto: Key Porter Books.

2. Bannerji, Himani. 2000. The Dark Side of the Nation: Essays on Multiculturalism, Nationalism and Gender. Toronto: Canadian Scholars Press.

3. Biderman, Morris. 2000. My Life on the Jewish Left: An Immigrant's Experience. Toronto: Onward Publishing.

4. Bissoondath, Neil. 2002. Selling Illusions: The Cult of Multiculturalism in Canada. Toronto: Penguin Books Canada.

5. Frager, Ruth A. 1992. Sweatshop Strife: Class, Ethnicity and Gender in the Jewish Labour Movement of Toronto. Toronto: University of Toronto Press.

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