Abstract
A little-noticed passage from Moritz Hauptmann’s 1853 treatise Die Natur der Harmonik und der Metrik very nearly describes the opening progression of Wagner’s Tristan. The present paper surveys the various analyses of the Tristan chord presented in the theoretical literature and defends an analysis derived from Hauptmann as a viable alternative.
Cited by
3 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献