Semiotic Niche Construction in Musical Meaning

Author:

Atã Pedro1,Queiroz João1

Affiliation:

1. Federal University of Juiz de Fora

Abstract

According to Peirce’s pragmatic semiotics, meaning (semiosis) is not an infused concept, but a power to engender interpretants. Semiosis is a triadic, context-sensitive (situated), interpreter-dependent (dialogic), materially extended (embodied and distributed) dynamic process. Although meaning is context-sensitive and materially extended, its locus is not well-captured by the notion of an environment. Inspired by biological concepts, we suggest the locus of meaning to be a niche. Here, we develop a semiotic account of musical meaning that emphasizes the location of musical signs in semiotic niches.

Publisher

Consortium Erudit

Subject

General Medicine

Reference37 articles.

1. BACH, K. (1999) “Meaning”. In The MIT Encyclopedia of the Cognitive Sciences. R. Wilson & F. Keil (Eds.), Cambridge, Mass. : MIT Press.

2. BERGMAN, M. (2000) “Reflections on the Role of the Communicative Sign in Semeiotic”. In Transactions of the Charles S. Peirce Society : A Quarterly Journal in American Philosophy (XXXVI) 2 : 225-254.

3. BICKERTON, D. (2009) Adam’s Tongue. New York : Hill and Wang.

4. CLARK, A. (2008) Supersizing The Mind. Oxford University Press.

5. CLARK, A. (2006) “Language, Embodiment, and the Cognitive Niche”. In Trends in Cognitive Sciences (10) 8 : 370-374.

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