Discovering Union Films and Its Archives-Reference-Cited by-同舟云学术

Discovering Union Films and Its Archives

Published:2014-05-22 Issue:2-3 Volume:24 Page:125-160
ISSN:1705-6500
Container-title:La quête du document
language:
Short-container-title:cine

Author:

Musser Charles¹

Affiliation:

1. Yale University

Abstract

This article begins by providing a narrative account of the (re)discovery of Union Films, the leading producer of left-wing documentaries in the United States in the immediate post-World War II era. Because of the Red Scare and blacklist, the organization has gone unmentioned in histories of documentary and radical filmmaking. The Orphan Film Movement has provided a cultural formation that has enabled this reclamation to unfold, providing a synergy between scholars, archives and labs. The question is then raised: where does the Union Films Project go from here?

Publisher

Consortium Erudit

Subject

Visual Arts and Performing Arts,Communication

Reference25 articles.

1. Allan 1946: Lewis Allan, “The Investigators,” The New Masses, 9 July 1946, pp. 11-13.

2. Allan 1946a: Lewis Allan, “I Saw a Man,” The New Masses, 20 August 1946, p. 8.

3. Allan 1946b: Lewis Allan, “War,” The New Masses, 3 September 1946, p. 15.

4. Baker 2002: Nancy Kovaleff Baker, “Abel Meeropol (aka Lewis Allan): Political Commentator and Social Conscience,” American Music, Vol. 20, No. 1, 2002, pp. 25-79.

5. Crowdus and Rubenstein 1976: Gary Crowdus and Lenny Rubenstein, “Union Films: An Interview with Carl Marzani,” Cineaste, Vol. 7, No. 2, 1976, p. 33.

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