ԴԻՄԱԿԻ ՆԱԽԱՀԻՄՔԵՐԸ ԵՎ ԳՈՐԾԱՌՈՒՅԹՆԵՐԸ ԻՏԱԼԱԿԱՆ ԱԶԳԱՅԻՆ ԹԱՏՐՈՆՈՒՄ / THE BACKGROUND ՕF MASKS AND THEIR FUNCTIONS IN ITALIAN NATIONAL THEATER

Author:

HAMBARDZUMYAN ANI1

Affiliation:

1. Yerevan State University

Abstract

The Italian national theater is known for its longevity. It was a source of inspiration for many later theatrical schools. Behind the success of the Italian national comedy researchers underline the use of all special theatrical forms, such as the masks. Masks are considered to be one of the most complex theatrical forms of commedia dell’arte. The article examines the basis of mask formation (rituals, Atellan farces, Greek tragedy) identifying its functions in the Italian National Theater, as well as demonstrating the development of the mask at the historical and psychological levels.

Publisher

Yerevan Brusov State University of Languages and Social Sciences

Subject

Materials Science (miscellaneous)

Reference17 articles.

1. Berberović N. (2015). Ritual. Myth And Tragedy: Origins Of Theatre In Dionysian Rites, Epiphany: Journal of Transdisciplinary Studies, Vol. 8, No. 1, Faculty of Arts and Social Sciences, Sarajevo, Sarajevo University Press.

2. Brask P. and Morgan W. (1988). Towards a Conceptual Understanding of the Transformation from Ritual to Theatre. Anthropologica, Vol. 30, No. 2. Canadian Anthropology Society Stable, Toronto, Toronto University Press.

3. Carpenter S. and Twycross M. (2002). Masks and Masking in Medieval and Early Tudor England. Aldershot, Ashgate Publishing.

4. Cawson M. J. (2012). The Mask and The Self: A Historical Exploration into The Ways in which The Phenomena of Selfhood and The Theatrical Mask Can Illuminate Each Other, Royal Holloway, London, London University Press.

5. Ciavolella M. (1997). Text as PreText¨Leone de’Sommi’s ‘‘Three Sisters’’, in Ahuva Belkin, Leone de Sommi and the performing arts, Tel Aviv, Assaph.

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