Reading, Writing, and Knowing: The Role of Disciplinary Knowledge in Comprehension and Composing

Abstract

To explore how writers with extensive experience and learning in an academic discipline used both topical and rhetorical knowledge to construct synthesis essays, 40 graduate students equally representing the two disciplines of psychology and business wrote synthesis essays on either supply-side economics or rehearsal in memory. Half of the writers completed think-aloud protocols, and their composing processes were analyzed for different qualities and frequencies of elaborations and rhetorical awareness and for task representation. Their written products (40 essays) were analyzed for the importance and origin of information and for the quality of key rhetorical moves. Analyses of variance revealed that high-knowledge writers evidenced more local and evaluative elaborations as well as an awareness of rhetorical contexts. They also included more new information in their essays in the top levels of essay organizations. Low-knowledge writers elaborated less but did rely on structural and content-based awareness to compose, factors which also were influenced by specific topics and disciplines, and they included comparable amounts of borrowedimplicit information in their essays. Intercorrelations of process and product features revealed that evaluative elaborations and awareness of rhetorical context corresponded with the presence of new information in essays for all 40 writers, suggesting that prior knowledge of an academic topic may take the form of a complex, situational strategy for composing. The findings confirm the interrelatedness of comprehension and composing processes and illustrate how writers, with varying levels of topic familiarity, use both their knowledge of disciplinary topics and their experience as readers and writers to compose synthesis essays.