Abstract
Current interpretations of section 81of the Ise monogatari read it as a representation of the concept of miyabi (courtliness), defined as an ideal sphere of elegance divorced from worldly matters and political intrigues. Taking issue with nonpolitical views of the Ise Stories entailed in such readings, this paper shows how, through its narrative contextualization and the historical background evoked by its setting, the poem recited in this episode takes on political overtones. While on surface the story depicts an ideal sphere of disengagement from the political arena, the very form of unworldly refinement it centers on, the composition of waka, also functions as a vehicle of covert criticism of the Fujiwaras’ regime and a plea for virtuous government.
Subject
Literature and Literary Theory,Linguistics and Language,Language and Linguistics