Searching for ‘Italianità’ in the Dodecanese Islands (1912–1943). Some Considerations on Art, Architecture and Archaeology through the Works of Hermes Balducci

Author:

Orlandi Luca1ORCID

Affiliation:

1. Ozyegin University, TR

Abstract

The rediscovery and promotion of fourteen islands in the Aegean Sea – renamed the Dodecanese Islands – annexed to Italy as a military possession while formally under the dominion of the Ottomans, might be considered another phase in the search for an Italian identity. From 1912 to 1943 these islands experienced Italy’s ambiguous presence as invaders and colonizers. This paper aims to highlight the concept of Italianità through the works of Hermes Balducci, one of the protagonists of Italian colonial architecture in the Dodecanese Islands. To this end and using lesser-known material, this case study intends to recreate and redefine the past of the Italian presence on these islands and provide an interesting point of view in the search for a lost and rediscovered Italian spirit.

Publisher

Firenze University Press

Reference27 articles.

1. Adriani, Giovanni B. 1853. Degli antichi signori di Sarmatorio Manzano e Monfalcone indi degli Operti fossanesi: memorie storico-genealogiche corredate di molti documenti inediti. Torino: Tip. G. Chiassone.

2. Italian Architecture in the Dodecanese: A Preliminary Assessment

3. Balducci, Hermes. 1931. Il santuario di Nostra Signora di tutte le Grazie sul Fileremo presso Rodi, con prefazione di Giuseppe Gerola. Pavia: Tip. Edit. Artigianelli.

4. Balducci, Hermes. 1932. Architettura turca in Rodi. Milano: Editore Ulrico Hoepli.

5. Balducci, Hermes. 1933a. La Chiesa di S. Maria del Borgo in Rodi fondata dal gran maestro Helion de Villeneuve: la Cattedrale di Rodi, la Chiesa di Santa Caterina della Lingua d’Italia. Pavia: Tip. L. Rossetti.

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