On theological aesthetics, decolonisation, and doing theology through the arts

Abstract

Throughout history, works of art have often served as a prominent mode of theological expression – also, importantly, here in South Africa. In, thus, revisiting the history of theological inquiry in South Africa as part of a larger process of decolonisation, it is important and necessary to also look to the arts, which is what this article will attempt to do. It will begin with an exploration of the relationship between theology and the arts, before looking at the emergence of the field of theological aesthetics. This will be followed by some comments on the relevance of this field for South African theology, especially when it comes to questions of decoloniality. The article will then conclude with a brief discussion of the South Africa sculptor Jackson Hlungwani as an example of someone who did theology through the arts.