Performing ‘Art for the People’: Politics, Spectatorship, and Schoenberg’s Music at the Berlin VolksbÜhne

Author:

Carrasco Clare

Abstract

ABSTRACT In early 1920, a performance of Arnold Schoenberg’s Chamber Symphony sponsored by the Berlin Volksbühne (People’s Theatre) set off a dialogue of remarkable vehemence and duration in the musical press. Writing as spectators of what they imagined to be a working-class audience, professional music critics framed the event as a musical performance that itself was a carefully staged piece of political theatre. Their accounts detail and debate the use of casting, symbols, and rituals to enact a ‘leftist’ agenda in which Schoenberg’s music was not the subversive project of a radical few, but a legitimate exemplar of ‘art for the people’—the motto of the Volksbühne. By engaging with the recent ‘performative turn’ in studies of the Weimar Republic, this article presents a rich microhistory of this experimental concert and its afterlife in the press, revealing vital connections to broader practices of political performativity in Weimar democracy.

Publisher

Oxford University Press (OUP)

Subject

Music

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