Repetition and Variation in the Thirteenth-Century Refrain

Author:

Butterfield Ardis

Abstract

Is there an answer to the question ‘what is a refrain?’ Traditionally, scholars of thirteenth-century French song begin their reply by noting that a refrain is the characteristic formal feature of a rondeau, that is, an element which is repeated, usually with a separate half-repetition, in alternation with a strophic ‘respond’:Aaliz main se leva,bon jor ait qui mon cuer a!Biau se vesti et para,desoz l'aunoi.Bon jor ait qui mon cuer an'est pas o mot.Moreover, most modern attempts to define refrains have explicitly begun by collecting rondeaux. But since only a small proportion of refrains occurs in rondeaux (in van den Boogaard's bibliography approximately one tenth), it is clearly not a comprehensive definition.

Publisher

Cambridge University Press (CUP)

Subject

Music

Reference49 articles.

1. ‘Homer and Gregory’, 352–68, esp. p 356.

2. For a stimulating discussion of this manuscript's ‘performative’ characteristics, see Huot, Sylvia , From Song to Book The Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry (Ithaca and London, 1987), ch 6, esp. pp 174–93

3. The shared refrains are vdB nos 156, 289, 430, 496, 746, 784 and 1074.

4. See vdB no. 78, where a further motet occurrence is noted (M352)

5. There is still no full treatment of the refrain on this basis, the study by Doss-Quinby being primarily of the texts For an attempt to initiate such an enquiry, see Butterfield, ‘Interpolated Lyric’, ch 1, esp. pp. 18–30.

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