Event, Trauma, and Ethics in Wing Tek Lum’s The Nanjing Massacre

Abstract

Abstract Wing Tek Lum’s 2012 poetry collection The Nanjing Massacre raises vital questions about trauma. How do we know when a traumatic event begins? What cognitive options are open to victims of trauma? What are the ethical implications of our theories of trauma? I thus situate this volume between Bessel van der Kolk’s and Jacques Lacan’s theories of trauma because these poems challenge their key assumptions. Lum turns to poetry to think through how trauma begins and ends, the degree to which healing the gap between body and mind is part of the “cure” or part of the disease, and how much cognitive stretching is possible in trauma’s wake.