Improvisational mistakes

Author:

Ravasio Matteo1ORCID

Affiliation:

1. School of Arts, Research Center for Aesthetics and Aesthetic Education, Peking University , 5, Yiheyuan Road, Beijing , China

Abstract

Abstract This paper discusses mistakes that occur in improvised musical performance. I first develop a couple of distinctions that are useful to understand the varied nature of such mistakes. Particularly, I think that it is important to distinguish mistakes that depend upon formal features of the music, and mistakes that are such in virtue of a failure of the performer’s intentions. Within this latter category, I argue that it is useful to distinguish between two different layers of performance intentions. Subsequently, I discuss the idea that, in improvised performance, mistakes are not merely tolerated but are, in some sense, valuable, showing how the distinction I develop can shed some light on these issues.

Publisher

Oxford University Press (OUP)

Subject

Philosophy

Reference21 articles.

1. ‘On Musical Improvisation’;Alperson,1984

2. ‘“Do Not Fear Mistakes – There Are None”: The Mistake as Surprising Experience of Creativity in Jazz’,;Bertinetto,2016

3. ‘“Feeling My Way”: Jazz Improvisation and Its Vicissitudes – A Plea for Imperfection’;Brown,2000

4. Musical Works and Performances

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