Affiliation:
1. School of Arts, Research Center for Aesthetics and Aesthetic Education, Peking University , 5, Yiheyuan Road, Beijing , China
Abstract
Abstract
This paper discusses mistakes that occur in improvised musical performance. I first develop a couple of distinctions that are useful to understand the varied nature of such mistakes. Particularly, I think that it is important to distinguish mistakes that depend upon formal features of the music, and mistakes that are such in virtue of a failure of the performer’s intentions. Within this latter category, I argue that it is useful to distinguish between two different layers of performance intentions. Subsequently, I discuss the idea that, in improvised performance, mistakes are not merely tolerated but are, in some sense, valuable, showing how the distinction I develop can shed some light on these issues.
Publisher
Oxford University Press (OUP)
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4. Musical Works and Performances