The Performance of Ensemble Music in Elizabethan England-Reference-Cited by-同舟云学术

The Performance of Ensemble Music in Elizabethan England

Published:1970 Issue: Volume:97 Page:113-123
ISSN:0080-4452
Container-title:Proceedings of the Royal Musical Association
language:en
Short-container-title:Proc. R. Music. Assoc.

Author:

Edwards Warwick A.

Abstract

This well-known passage by Francis Bacon might be regarded as an appeal for common sense in the instrumentation of Elizabethan and Jacobean music. The principle of avoiding combinations which do not blend may still be applied today, but, as Bacon goes on to say, ‘for the Melioration of Musicke, there is yet much left (in this Point of Exquisite Consorts) to try and enquire’.

Publisher

Cambridge University Press (CUP)

Reference40 articles.

1. Ed. J. E. Spingarn, London and Boston, 1914, p. 114. Cf. Sternfeld, Music in Shakespearean Tragedy, pp. 226–35.

2. Trinity College, Dublin, Press B.1.32 (a copy of Tallis and Byrd, Cantiones Sacrae, 1575 with manuscript additions), Discantus signature G1v &c. The words begin ‘Lamente O wreched Babilon I say …’

3. See Woodfill, Musicians in English Society, esp. Appendices A, C and E, and the Index s.v. ‘Viol’.

4. III. ix. 80; Works of Benjamin Jonson, ed. C. H. Herford and P. Simpson, Oxford, 1925–52, iii. 526.

5. Ed. W. Raleigh, London, 1900, p. 118.

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