Abstract
Abstract
Hearing and representing melodic and harmonic elaboration lies at the heart of tonal analysis. We sometimes disagree about what exactly is ornamental or how tones are prolonged, but our widespread collective understanding of passing tones, neighbor tones, suspensions, and the like underscores the important notion that some notes are more structurally important than others. This article proposes ways to read ornamentation in atonal music, recasting ornamental categories gesturally and pragmatically instead of (or in addition to) tonally and metrically.
Publisher
Oxford University Press (OUP)
Reference38 articles.
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2. “Are There Any Bad (or Good) Transformational Analyses?”;Buchler;Intégral,2017
3. “A Case Against Teaching Set Classes to Undergraduates.”;Buchler;Engaging Students: Essays in Music Pedagogy,2017
Cited by
2 articles.
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