The Orator in the Theatre

Author:

Dubreuil Raphaëla

Abstract

This chapter explores the image Plutarch created of the end of Athenian Democracy. Its aim is to show that Plutarch conceived of this end through the lens of the theatre, and to explore the origins of this portrayal. It makes this argument through close study of the intersection of theatre and politics in Plutarch’s Life of Phocion. Plutarch expresses the political significance of crucial moments by drawing attention to their theatrical dimension. Theatrical venues, self-presentation, staging, speech, and props are used in order to create an emotional impact on an Athenian audience. Since Plutarch understood theatre in (mostly) Platonic terms, this evaluation is negative. He wishes to depict an Athenian society predisposed to strong emotion, ready to welcome an exuberant tyrant with open arms despite its previous democratic values.

Publisher

Oxford University Press

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