Epilogue

Abstract

AbstractThis short epilogue offers some final reflections on the place of Mina Bergson’s ideas, as a mystic, artist, and social rebel, alongside those of her more respectable brother. It asks the question of where original thought resides in this pairing while also evoking the idea of reciprocal movement first discussed in the Prologue (as a “Reciprocity of Acceleration” in the special theory of relativity), and then brings back the personal memory which began the Introduction to Vestiges.