This book studies the Zohar as a work of literature. While the Zohar has long been recognized as a signal achievement of mystical theology, myth, and exegesis, this monograph presents a poetics of zoharic narrative, a morphology of mystical storytelling. Topics examined include mysticism and literature; fiction and pseudepigraphy; diaspora and exile; dramatic monologue and the representation of emotion; voice, gesture, and the theatrics of the zoharic tale; the wandering quest for wisdom; anagnorisis and the poetics of recognition; encounters with the natural world as stimuli for mystical creativity; the dynamic relationship between narrative and exegesis; magical realism and the fantastic in the representation of experience and Being; narrative ethics and the exemplum of virtuous piety in the Zohar; the place of the zoharic frame-tale in the comparative context of medieval Iberian literature, both Jewish and non-Jewish.