Abstract
AbstractThe fourth chapter is devoted to elements of the costume (clothing and masks) which act in support of the social and moral characterization of the personage, as well as visual caricature. It also shows how verbal suggestions play a major role in the audience’s identification of the characters and in visual characterization. In particular, this chapter looks at the way in which the comic poets make use of the scenic or imaginary representation of the body of those who are the target of political, social, intellectual, or moral satire. Masks and faces are considered in greater depth. After discussing the typology of comic masks, particular attention is paid to faces with a distinctive complexion, especially those of hetairai and philosophers, as well as to the way these overly colourful or pallid faces contribute to the creation of ridiculous and spectacular bodies.
Publisher
Oxford University PressOxford
Reference668 articles.
1. Studies in Comedy I: Alexis and the Parasite’s Name;GRBS,1968