Affiliation:
1. Associate Professor of Music Theory, Indiana University
Abstract
Abstract
This book is a comprehensive synthesis of mathematical techniques in music theory, using the idea of musical spaces as a unifying thread. The spaces studied include an assortment of pitch and pitch-class spaces, tonnetz spaces, spaces of chords or key areas, spaces of twelve-tone rows, temporal spaces, voice-leading spaces, scalar spaces, and spaces of note names. Continuous spaces are examined alongside discrete ones, and generic (mod-7) spaces alongside chromatic (mod-12), with related emphasis on formal aspects of note spelling, the line of fifths, and enharmonic equivalence. The spatial approach facilitates the study of several areas of active recent scholarship in a unified theoretical framework; these areas include the theory of intervals and transformations, triadic transformations and neo-Riemannian theory, the geometric theory of voice-leading spaces, diatonic theory, and scale theory. Concepts and techniques from mathematical set theory, graph theory, group theory, geometry, and topology are introduced as needed to address musical questions.
Publisher
Oxford University PressNew York
Cited by
4 articles.
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