Deer Women Dancing

Author:

Eddy Zoë Antoinette

Abstract

AbstractThis chapter explores how Indigenous activist-artists have made interventions in the sexual and gender violence crisis that affects Turtle Island (North American) Indigenous communities. Based on ethnographic and archival fieldwork, it argues that Indigenous activist-artists have created a visual language that supports the goals of the #MeToo movement while also opening a uniquely Indigenous space. The author examines three major visual artifacts: the Red Dress, the Jingle Dress Dance/r, and the Red Handprint; these materials—in both their symbolic and physical presence—have helped generate a viral language that counters settler-colonial narratives of sexual and gender violence. This chapter concludes with an examination of Indigenous hashtag activism and how these strategies both intersect with and differentiate themselves from #MeToo. This chapter aims to make further intervention into how Indigenous communities have responded to not only #MeToo, but also the historical and contemporary crisis facing Indigenous communities.

Publisher

Oxford University PressNew York

Reference39 articles.

1. C3P99Burke, T. 2017. “MeToo Was Started for Black and Brown Women and Girls: They’re Still Being Ignored.” Washington Post, 9, November 9, 2017.

2. C3P100Child, B. J.  2008. “Wilma’s Jingle Dress: Ojibwe Women and Healing in the Early Twentieth Century: Honoring the Past. Building a Future.” In Reflections on American Indian History: Honoring the Past. Building a Future, Albert L. Hurtado, pp. 113–136. Oklahoma: University of Oklahoma Press.

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