The Yoxford Credo

Abstract

Abstract Continuing from Chapter 22, this chapter analyses an equally resourceful Credo in the same set of flyleaves, which uses strategies more often associated with motets, and stands apart from both the simpler and more complex contemporary Mass settings of Old Hall. It combines equal-length paired upper-voice segments with non-coincident mensural transformation and successive diminution in the lower parts, which have three pairs of statements in the unprecedented overall proportions 12:8: 6:4: 3:2, reflected in the punning tenor label ‘Omni tempore’ (through all time). Structural features include ingenious palindromes. Obvious structural coincidences are avoided, apparently in order to increase the climactic effect of the Amen.