How Can We Interpret Gardens?

Author:

Fenner David,Fenner Ethan

Abstract

Abstract Chapter 8—“How Can We Interpret Gardens?”—continues the conversation begun in Chapter 7. After exploring a range of theories of how works of art may be interpreted and their application to interpreting gardens, the chapter focuses on how to “read” a garden’s formal aspects as the basis of creating a data set that may form the basis of an interpretation. This “form-focused” approach includes a detailed exploration of “garden form,” which is expressed in eleven categories: path, structure, artifactual elements, space, water, light, topography, ecology, setting, plant palette, and plant character. The chapter offers examples of the application of garden form to interpreting gardens, and concludes by discussing a set of unique aspects of garden interpretation.

Publisher

Oxford University PressNew York

Reference213 articles.

1. Addison, Joseph, “On the Pleasures of the Imagination,” Nos. 411–421, in Robert Allen (ed.), Selections from The Tatler and The Spectator (New York, NY: Holt, Rinehart and Winston, 1957).

2. Locke and Botany,”;Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences,2006

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