In the post-truth era, postmodern satiric media have emerged as prominent critical voices playing an unprecedented role at the heart of public debate, filling the gaps left not only by traditional media but also by weak social institutions and discredited political elites. Satiric TV in the Americas analyzes some of the most representative and influential satiric TV shows on the continent (focusing on cases in Argentina, Peru, Ecuador, Mexico, Chile, and the United States) in order to understand their critical role in challenging the status quo, traditional journalism, and the prevalent local media culture. It illuminates the phenomenon of satire as resistance and negotiation in public discourse, the role of entertainment media as a site where sociopolitical tensions are played out, and the changing notions of journalism in today’s democratic societies. Introducing the notion of “critical metatainment”—a postmodern, carnivalesque result of and a transgressive, self-referential reaction to the process of tabloidization and the cult of celebrity in the media spectacle era—Satiric TV in the Americas is the first book to map, contextualize, and analyze relevant cases to understand the relation between political information, social and cultural dissent, critical humor, and entertainment in the region. Evaluating contemporary satiric media as distinctively postmodern, multilayered, and complex discursive objects that emerge from the collapse of modernity and its arbitrary dichotomies, Satiric TV in the Americas also shows that, as satiric formats travel to a particular national context, they are appropriated in different ways and adapted to local circumstances, thus having distinctive implications.