Affiliation:
1. Departamento de Prehistoria y Arqueología, Facultad de Filosofía y Letras, Universidad de Granada , 18071 Granada , Spain
Abstract
Abstract
The adaptation of elements of Greek and Roman myth and folklore is a recurrent aspect of late-twentieth- and early-twenty-first-century fiction on page and screen. These elements are usually presented alongside other mythologies and they, over all, serve to add depth and veracity to the world-building. This is no different in Teen Wolf, an MTV show that focused on Scott McCall’s journey through lycanthropy. However, in most modern fiction the Classical element is one of many sources used in in-story world-building. This paper will present the many examples of the use of Classical elements in Teen Wolf, including: the way the werewolves are presented as Lycaon’s descendants and with elements common to Roman versipelles, the way the Classical past (historic, folkloric, mythic) is included as part of the intradiegetic lore, and how the show itself is built following ancient epic patterns with Classical paradigms as points of reference.
Publisher
Oxford University Press (OUP)
Subject
General Arts and Humanities,Cultural Studies,Classics
Reference87 articles.
1. ‘Teen Drama with a Bite: Human Animality in Teen Wolf’;Andrianova;Supernatural Studies,2016
2. ‘Virtue and Heroism’,;Annas,2016
3. ‘Ouroboros: The Ancient Egyptian Myth of the Jorney of the Sun’;Assamann;Aegyptiaca,2019
4. ‘Introduction’,;Augoustakis,2019
5. ‘Introduction: Face to Face—Locating Classical Receptions on Screen’,;Bakogianni,2018