Affiliation:
1. School of Philosophy and Sociology, Lanzhou University, Lanzhou, Gansu, China
Abstract
Abstract
We can portray or take on the role of someone whom we are not. For example, a professional actor can play the role of a fictional character who does not exist in the real world, although she believes she is not that person. This behavior is named “acting.” My aim here is to locate the necessary and sufficient conditions of acting. In my view, acting is a process of communication between actors and audiences. One of its necessary components is that actors use their own features to represent those features that their characters have; another is that actors intend to make their audiences imagine that they are themselves identical to their characters. In this article, I specify these two components, critique other views of the definition of acting and distinguish acting from other similar processes.
Publisher
Oxford University Press (OUP)
Subject
Music,Philosophy,Visual Arts and Performing Arts
Reference31 articles.
1. “Alba Emoting: A Psychophysiological Technique to Help Actors Create and Control Real Emotions.”;Bloch;Theatre Topics,1993
2. The Nature of Fiction
3. Philosophy of the Performing Arts
4. “Wanting Things You Don’t Want: The Case for an Imaginative Analogue of Desire.”;Doggett;Philosophers’ Imprint,2007
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