Using Drumbeats to Theorize Meter in Quintuple and Septuple Grooves

Author:

Hanenberg Scott J

Abstract

Abstract This article explores common approaches taken by drummers when playing music with a quintuple or septuple groove. Based on original analysis from a corpus of 350 songs released during the half-century between 1967 and 2017, I show that these grooves fall into three categories: undifferentiated, in which the drum/s and/or cymbal/s that mark each attack do not change in the course of the groove; backbeat variants, based on the alternation of kick and snare attacks, as in the common-time backbeat; and polymetric grooves comprising two distinct metric cues, often pitting the drums against the rest of the band.

Publisher

Oxford University Press (OUP)

Subject

Music

Reference45 articles.

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2. “Triadic Modal and Pentatonic Patterns in Rock Music.”;Biamonte;Music Theory Spectrum,2010

3. “Formal Functions of Metric Dissonance in Rock Music.”;Music Theory Online,2014

4. “The Power of Anacrusis: Engendered Feeling in Groove-Based Musics.”;Butterfield;Music Theory Online,2006

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