Josquin as Classic: Qui habitat, Memor esto, and Two Imitations Unmasked-Reference-Cited by-同舟云学术

Josquin as Classic: Qui habitat, Memor esto, and Two Imitations Unmasked

Published:1993 Issue:1 Volume:118 Page:1-43
ISSN:0269-0403
Container-title:Journal of the Royal Musical Association
language:en
Short-container-title:J. R. Music. Assoc.

Author:

Macey Patrick

Abstract

Further progress in Josquin research and in the study of the music of the whole age will largely depend on detailed inquiry into the catalogue of the authentic works of the master. This will probably be the most burning problem, for how should the scholar pursue serious studies of Josquin's music, and how should the amateur find an approach to this outstanding musician, unless they know that the composition in their hands is really by Josquin?'

Publisher

Cambridge University Press (CUP)

Subject

Music

Reference107 articles.

1. b. et a verbo aspero

2. 6 a A sagitta volante in die, a negotio perambulante in tenebris

3. 6 a. Per diem sol non uret te

4. Gustave Reese and Jeremy Noble, ‘Josquin Desprez’, The New Grove Dictionary of Music and Musicians (London, 1980), ix, 713–38, revised in The New Grove High Renaissance Masters (London, 1984), 1–90 (pp 37–9)

5. 7 a Dominus custodii te ab omni malo,

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