Affiliation:
1. Division of Cinema and Media Studies, University of Southern California , Los Angeles, USA
Abstract
Abstract
This article examines how the podcast Thirst Aid Kit makes Black women’s desires—often erased or distorted in media—audible. Using Critical Technocultural Discourse Analysis (CTDA) and feminist close reading, I make three interrelated arguments: (1) The hosts’ use of regional, Black vernaculars and cultural touchstones disrupts podcasting’s Whiteness and builds intimacy with Black women listeners; (2) The podcast’s aural expressions of thirst articulate Black women’s desires rather than shield them from broader publics; (3) The show’s expression of thirst is connected to the romance genre; however, Thirst Aid Kit, ruptures the genre’s investment in Whiteness and the happy ending. This article builds from and intervenes in podcasting research, studies of Black women and media, and popular romance studies.
Publisher
Oxford University Press (OUP)
Cited by
1 articles.
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