The Oxford Handbook of the New Cultural History of Music cultivates a return to the fundamental premises of cultural history in the work of musicologists concerned with cultural history and historians who deal with music. In this volume, noted academics from both of these disciplines illustrate the continuing endeavor of cultural history to grasp the realms of human experience, understanding, and communication as they are manifest or expressed symbolically through various layers of culture and in many forms of art. This book demonstrates how music is becoming a unique mode of access into specific cites of cultural representation, exchange, contestation, and the construction of experience.