Abstract
Ethnic minority films play an important strategic role in foreign communication. From the internal perspective of landscape construction in Chinese minority films, this paper examines the practice of self-expression of such films in terms of natural and humanistic landscapes in the past. From the external perspective of "other" thinking, this paper examines the lack of self-image in the past minority films. In the face of such a lack of position, this paper considers the path of discourse breakthrough in the light of Chinese modernization, which is the latest achievement of the Communist Party of China (CPC)'s century-long modernization ideological development, and argues that in order to further "go to the sea", ethnic minority films need to be "firm and self-centered, and at the same time embrace the whole world", It is believed that in order to further "go overseas", ethnic minority films need to "firmly focus on themselves and have a heart for the whole world", and "go deep into the culture and express their national characteristics".